Most of the photographers that hesitate to try digital imaging do so
because they perceive it to be very expensive. Let's face it, the price
of high-end digital cameras, scanners, and software is enough to put most
of us into sticker shock. Additionally, many photographers are reluctant
to invest the time to update their skills.
The good news is that most of us already own a computer and consider it
an essential tool in the operation and management of our businesses. So,
how can a photographer that already owns a computer explore digital imaging
on a shoestring? The major problems to be overcome are image input and output.
In other words, how do you get the image into the computer and how do you
get the image out of the computer. The answer to exploring digital imaging
on a shoestring is to mix conventional film based photography with new digital
technology.
Having a scanner is nice but not essential. Kodak Photo CD is an economical
way to input images into the computer. 35mm film scans to Photo CD cost
less than $1.35 each. Medium and large format images must be scanned to
the Pro Photo CD format. The price of a Pro Photo CD scan is about $14.
The file size from the Pro Photo CD is sufficient to write a new 4 x 5 negative.
Because of the large file size and storage capacity, Pro Photo CD is an
ideal medium for archiving images. Since the data is digital, there is no
loss in quality when the files are duplicated.
Once you have input a scanned image and manipulated it, the next step
is to output the image. Photo realistic printers are expensive. Many graphics
firms will output your digital files for a fee. Dye Sublimation prints are
expensive and usually limited to 11 x 17 inches in size. My preference is
to have a negative written from my digital file and to make conventional
prints. My experience is that a 6 x 7 cm negative is easily capable of being
printed to a 20 x 24 size.
Digital Retouching and manipulation
Compositing of images
Adding text and logo's to images
This months illustration, Kiss The Sky, was composited from two stock images. The images of the motorcycle rider and the moon were scanned to Pro Photo CD at Dale Laboratories, in Hollywood. The star field was drawn on the computer, and the frame was created with a freeware program called Blade. The digital file was output to a 6 x 7 cm negative at Kim Color Labs ($25). Kiss The Sky earned 2nd Place Unclassified at last months State Print Competition.